All Recent Publications

ZORA Publication List

Publications

• 2014

  • Bronfen, Elisabeth

    • Bronfen, Elisabeth (2014). Audiovisuell und Romanesk. Televisuelle Imagination als Kulturkritik: Am Beispiel von David Simons "The Wire". In: Widmer, Ruedi. Laienherrschaft: 18 Exkurse zum Verhältnis von Künsten und Medien. Zürich, Berlin: Diaphanes, 27-39.
    • Bronfen, Elisabeth (2014). Hollywood und der Erste Weltkrieg: Eine Frage der imaginären Annäherung. In: Wagner, Karl; Baumgartner, Stephan; Gamper, Michael. Der Held im Schützengraben : Führer, Massen und Medientechnik im Ersten Weltkrieg. Zürich: Chronos, 323-336.
    • Bronfen, Elisabeth (2014). Lubitsch's War: Comedy as Political Ploy in To Be or Not to Be. In: Dolar, Mladen; Novak, Ivana; Krečič, Jela. Lubitsch Can't Wait: A Theoretical Examination. Ljubljana: Columbia University Press, 131-150.
    • Bronfen, Elisabeth (2014). Valérie Favre's Suicide Images: An Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 154-162.
    • Bronfen, Elisabeth (2014). Valérie Favres Bilder des Selbstmordes. Ein Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 12-21.
    • Edited by: Bronfen, Elisabeth; Schor, Gabriele (2014). Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König. Francesca Woodman: Works from the SAMMLUNG VERBUND.
    • Bronfen, Elisabeth (2014). Einen Abdruck hinterlassen. Francesca Woodmans fotographische tableaux vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman. Werke aus der SAMMLUNG VERBUND. Köln, New York: Verlag der Buchhandlung König, 11-31.
    • Bronfen, Elisabeth (2014). Leaving an Imprint: Francesca Woodman's Photographic Tableaux Vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman: Works from the SAMMLUNG VERBUND. Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König, 11-31.
    • Bronfen, Elisabeth (2014). Hollywoods Wagner: Die Rückkehr zum/des Gewöhnlichen. In: Drehmel, Jan; Vogt, Steffen; Jaspers, Kristina. Richard Wagner und das Kino der Dekadenz. Wien, Berlin: Turia + Kant, 44-75.
    • Bronfen, Elisabeth (2014). Geist/Gespenst. In: Wirz, Benno; Pieper, Natalie. Philosophische Kehrseiten: Eine andere Einleitung in die Philosophie. Freiburd, München: Verlag Karl Alber, 141-168.

  • Chevalier, Sarah

    • Chevalier, Sarah (2014). Attitudes of Students in Switzerland Towards Varieties of English.. In: Langlotz, Andreas; Soltysik Monnet, Agnieszka. Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling. Tübingen: Gunter Narr Verlag, 197-213.

  • Dreiding, Michelle

    • Dreiding, Michelle (2014). Rethinking the Beginning: Toni Morrison and the Dramatization of Liminality. Reconstruction : Studies in Contemporary Culture:n/a.

  • Frank, Michael C

    • Frank, Michael C (2014). Terror- und Trauma-Romane: Zwei Perspektiven auf die Welt nach 9/11. In: Hennigfeld, Ursula. Poetiken des Terrors: Narrative des 11. September 2001 im interkulturellen Vergleich. Heidelberg: Universitätsverlag Winter, 93-114.
    • Frank, Michael C (2014). Terrorism for the sake of counterterrorism: undercover policing and the specter of the agent provocateur in Joseph Conrad's "The Secret Agent". Conradiana, 46(3):151-177.

  • Gardner, Anne-Christine

    • Gardner, Anne-Christine (2014). Review: Anneli Meurman-Solin and Jukka Tyrkkö (eds.). Principles and practices for the digital editing and annotation of diachronic data (Studies in Variation, Contacts and Change in English 14). ICAME Journal, 38(1):207-211.
    • Gardner, Anne-Christine (2014). Derivation in Middle English: Regional and Text Type Variation. Helsinki: Société Néophilologique.

  • Honkapohja, Alpo

    • Honkapohja, Alpo (2014). A review of Da Rold, Orietta, and Elaine Treharne (eds.), Textual Cultures: Cultural Texts. Essays and Studies Collected on Behalf of the English Association. Neuphilologische Mitteilungen, CXV(4):503-506.

  • Hundt, M

    • Edited by: Hundt, M (2014). Cambridge: Cambridge University Press. Late Modern English Syntax.

  • Hundt, Marianne

    • Hundt, Marianne (2014). Home is where you're born: Negotiating identity in the diaspora. Studia Neophilologica, 86(2):125-137.
    • Hundt, Marianne (2014). 'Books that sell' – mediopassives and the modification ‘constraint’. In: Hundt, M. Late Modern English Syntax. Cambridge: Cambridge University Press, 90-109.
    • Hundt, Marianne (2014). Introduction: Late Modern English syntax in its linguistic and socio-historical context. In: Hundt, Marianne. Late Modern English Syntax. Cambridge: Cambridge University Press, 1-10.
    • Hundt, Marianne (2014). Heterogeneity vs. homogeneity. In: Auer, Anita; Schreier, Daniel; Watts, Richard J. Letter Writing and Language Change. Cambridge: Cambridge University Press, 72-100.
    • Edited by: Hundt, Marianne; Sharma, Devyani (2014). Amsterdam: Benjamins. English in the Indian Diaspora.
    • Hundt, Marianne; Sharma, Devyani (2014). Introduction. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 1-8.
    • Hundt, Marianne (2014). Zero articles in Indian English. A Comparison of primary and secondary diaspora situations. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 131-170.
    • Hundt, Marianne (2014). Review of 'A Dictionary of South African Indian English' by Rajend Mesthrie. Journal of Language Contact, 7(2):446-452.
    • Hundt, Marianne (2014). Review of 'Early Modern English Dialogues: Spoken Interaction as Writing' by Jonathan Culpepper and Merja Kytö. Journal of Historical Pragmatics, 15(1):149-152.
    • Hundt, Marianne (2014). The demise of the being to V construction. Transactions of the Philological Society, 112(2):167-187.

  • Jucker, Andreas H

    • Jucker, Andreas H (2014). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 1-15.
    • Jucker, Andreas H (2014). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 550-566.
    • Jucker, Andreas H (2014). Courtesy and politeness in "Sir Gawain and the Green Knight". Studia Anglica Posnaniensia, 49(3):5-28.
    • Jucker, Andreas H; Taavitsainen, Irma (2014). Complimenting in the history of American English: A metacommunicative expression analysis. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 257-276.
    • Jucker, Andreas H; Taavitsainen, Irma (2014). Diachronic corpus pragmatics: Intersections and interactions. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 3-26.
    • Jucker, Andreas H; Berger, Manuel (2014). The development of discourse presentation in The Times, 1833–1988. Media History, 20(1):67-87.

  • Land, Chris

    • Land, Chris; Loren, Scott; Metelmann, Jörg (2014). Rogue logics: organization in the grey zone. Organization Studies, 35(2):233-253.

  • Landert, Daniela

    • Landert, Daniela (2014). Blurring the Boundaries of Mass Media Communication? Interaction and User-Generated Content on Online News Sites. In: Tyrkkö, Jukka; Leppänen, Sirpa. Texts and Discourses of New Media. Helsinki: VARIENG, online.
    • Landert, Daniela (2014). Personalisation in Mass Media Communication. British online news between public and private. Amsterdam/Philadelphia: John Benjamins.

  • Lehmann Imfeld, Zoë Christina

    • Lehmann Imfeld, Zoë Christina. The Ghost of God: Theology in the Supernatural Fiction of Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James. 2014, University of Bern.

  • Leitner, Magdalena

    • Leitner, Magdalena (2014). Crabit or offended? Words in conflicts in Scotland’s past. Dictionary of the Scots Language: Scotland: Scottish Language Dictionaries.

  • Ljungberg, Christina

    • Ljungberg, Christina (2014). Laurie Anderson's Versions of Massenet / Corneille,Melville's Moby Dick and Döblin / Fassbinder. In: Cavagna, Mattia; Maeder, Costantino. Philology and Performing Arts: A Challenge. Louvain: Presses universitaires de Louvain, 257-269.

  • Loren, Scott

    • Loren, Scott (2014). An American odyssey of suffering: aesthetic strategies in Steve McQueen’s '12 Years a Slave'. Anglia : Journal of English Philology, 132(2):336-351.

  • Markin, Alexander

    • Edited by: Markin, Alexander; Dmitrieva, Katja; Pavlova, Nina (2014). Moscow: Russian State University for Humanities Press. History of German Literature. Modern and contemporary times.
    • Markin, Alexander (2014). Martin Opitz and the reform of German poetry. In: Markin, Alexander. History of German Literature: Modern and Contemporary Times. Moscow: Russian Statte University for Humanities Press, 61-76.

  • Mühlheim, Martin

    • Mühlheim, Martin (2014). Resisting Governmental Illegalisation: Xenophobia and Otherness in Steven Spielberg’s E. T.: The Extra-Terrestrial. In: Bashir, Hassan; Roye, Susmita. Experiencing Otherness: Multidisciplinary Perspectives. Oxford: Inter-Disciplinary, 1-10.

  • Pfenninger, Simone E

    • Edited by: Pfenninger, Simone E; Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schreier, Daniel (2014). Amsterdam: John Benjamins Publishing. Contact, variation, and change in the history of English.

  • Reddick, Allen

    • Reddick, Allen (2014). A Kinde of Massacre: Censoring John Milton. In: Iannaccaro, Giuliana; Iamartino, Giovanni. Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives. Newcastle upon Tyne: Cambridge Scholars Publishing, 31-42.

  • Rellstab, Daniel H

    • Rellstab, Daniel H; Schlote, Christiane (2014). Introduction. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 1-14.

  • Riquet, Johannes

    • Riquet, Johannes. The Aesthetics of Island Space: Perception, Ideology, Geopoetics. 2014, University of Zurich, Faculty of Arts.
    • Riquet, Johannes (2014). Killing King Kong: The camera at the borders of the tropical island, 1767-1937. Nordlit : Tidsskrift i litteratur og kultur, 31:133-149.
    • Riquet, Johannes (2014). Bliss and War on the Island: Undoing Myth and Negotiating History in Stevenson's Treasure Island (1883) and Garland's The Beach (1996). In: Horatschek, Anna-Margaretha; Rosenberg, Yvonne; Schäbler, Daniel. Navigating Cultural Spaces: Maritime Places. Amsterdam: Brill, 177-190.

  • Rivera Godoy-Benesch, Rahel

    • Rivera Godoy-Benesch, Rahel (2014). Autorenporträts: Toni Morrison und Mark Twain. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 8. Baar, Switzerland: Klett und Balmer, 34-35.

  • Rüegg, Larssyn

    • Rüegg, Larssyn (2014). Thanks responses in three socio-economic settings: A variational pragmatics approach. Journal of Pragmatics, 71:17-30.

  • Schlote, Christiane

    • Schlote, Christiane (2014). Dramatizing the Congo: Refugees, Humanitarian Aid Workers and Gender. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 214-229.
    • Schlote, Christiane (2014). From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre. In: Aragay, Mireia; Monforte, Enric. Ethical Speculations in Contemporary British Theatre. Houndmills: Palgrave, 173-189.
    • Schlote, Christiane (2014). Writing Dubai. Indian Labour Migrants and Taxi Topographies. South Asian Diaspora, 6(1):33-46.

  • Schneider, Edgar W

    • Schneider, Edgar W; Hundt, Marianne; Schreier, Daniel (2014). The times they are a-changin' - and so are the editors of EWW. English World-Wide. A Journal of Varieties of English, 35(1):1-5.

  • Schreier, Daniel

    • Schreier, Daniel (2014). Koinéisation and historical phonology. In: Honeybone, Patrick; Salmons, Joseph C. The Handbook of Historical Phonology. Oxford: Oxford University Press, 217-239.
    • Schreier, Daniel (2014). Variation and Change in English: an introduction (Grundlagen der Anglistik und Amerikanistik 39). Berlin: Erich Schmidt Verlag.
    • Schreier, Daniel (2014). On cafeterias and new dialects: the role of primary transmitters. In: Buschfeld, Sarah; Hoffmann, Thomas; Huber, Magnus; Kautzsch, Alexander. The Evolution of Englishes : The Dynamic Model and beyond. Amsterdam: John Benjamins, 231-248.

  • Seiler, Annina

    • Seiler, Annina (2014). The scripting of the Germanic languages: A comparative study of "spelling difficulties" in Old English, Old High German and Old Saxon. Zurich: Chronos.

  • Smith, Sara W

    • Smith, Sara W; Jucker, Andreas H (2014). "Maybe, but probably not": Negotiating likelihood and perspective. Language and Dialogue, 4(2):284-298.

  • Sobral Mourao, Ana

    • Sobral Mourao, Ana (2014). 'Oceans of pain’: the sea as memory and metaphor in Angolan poetry and rap music. In: Mann, Michael; Phaf-Rheinberger, Ineke. Beyond the line: cultural narratives of the Southern Oceans. Berlin: Neofelis Verlag, 199-231.

  • Straumann, Barbara

    • Straumann, Barbara. Stimmt es, dass Frauen im 19. Jahrhundert keine Stimme hatten?. In: Journal: die Zeitung der Universität Zürich, 6, 8 December 2014, p.20.
    • Straumann, Barbara. Embodied Voices: Female Performers in Narrative Fiction. 2014, University of Zurich, Faculty of Arts.
    • Straumann, Barbara (2014). Inhabiting feminine suspicion. In: Badmington, Neil. Alfred Hitchcock: Critical evaluations of leading film-makers. London, New York: Routledge, Taylor & Francis Group, 159-195.

  • Studer-Joho, Nicole

    • Studer-Joho, Nicole (2014). Diffusion and Change in Early Middle English: Methodological and Theoretical Implications from the LAEME Corpus of Tagged Texts. Tübingen: Francke Verlag.

  • Taavitsainen, Irma

    • Edited by: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka (2014). Amsterdam: John Benjamins. Diachronic Corpus Pragmatics.

  • Tyrkkö, Jukka

    • Edited by: Tyrkkö, Jukka; Timofeeva, Olga; Salenius, Maria (2014). Helsinki: Mémoires de la Société Néophilologique. Ex Philologia Lux: Essays in honour of Leena Kahlas-Tarkka.

  • Zipp, Lena

    • Zipp, Lena (2014). Educated Fiji English. Lexico-grammar and variety status. Amsterdam: John Benjamins Publishing.
    • Zipp, Lena (2014). Indo-Fijian English. Linguistic diaspora or endonormative stabilization?. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 187-213.

• 2013

  • Alexander, Markin

    • Alexander, Markin (2013). Pis'mo, pustota i pokojniki. Russkaja Proza, (3):online.
    • Alexander, Markin (2013). Chicago. In: Bronfen, Elisabeth; Grob, Norbert. Classical Hollywood. Stuttgart: Reclam Verlag, 193-199.

  • Biewer, Carolin

    • Biewer, Carolin. South Pacific Englishes - The Dynamics of Second-language Varieties of English in Fiji, Samoa and the Cook Islands. 2013, University of Zurich, Faculty of Arts.

  • Binotto, Johannes

    • Binotto, Johannes. Der ironische Stylist. Retrospektive George Cukor. In: Neue Zürcher Zeitung, 7 October 2013, p.13.
    • Binotto, Johannes. Die schizophrenen Träume des Kinos. Vorschau auf das 11. Internationale Festival für Animationsfilm Fantoche. In: NZZ, 203, 3 September 2013, p.17.
    • Binotto, Johannes. Verblüffende Verbindungen. Das Filmpodium Zürich zeigt einen Querschnitt aus den Kinojahren 1963 und 1973. In: NZZ, 155, 8 July 2013, p.11.
    • Binotto, Johannes. Nichts dahinter. «The Real Eighties» – Amerikanisches Kino 1980–89 im Filmpodium Zürich. In: NZZ, 145, 26 June 2013, p.19.
    • Binotto, Johannes. Welche Möglichkeiten, welche Überraschungen! Zu den Filmen Jane Campions. In: NZZ, 126, 4 June 2013, p.18.
    • Binotto, Johannes (2013). My Home Is My Symptom: A Psychoanalytic Plea for Flawed Architecture. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: Transcript, 33-46.
    • Binotto, Johannes (2013). Abgrund der Oberfläche. The Real Eighties – Amerikanisches Kino 1980-1989. Filmbulletin: Zeitschrift für Film und Kino, (4.13):12-21.
    • Binotto, Johannes. Klassische Subversionen. Internationales Experimentalfilm-Festival Videoex. In: NZZ, 117, 24 May 2013, p.21.
    • Binotto, Johannes (2013). Das Begehren ist ein Knochen. Bringing Up Baby, Howard Hawks, USA 1938. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 121-128.
    • Binotto, Johannes (2013). Was will der Mann? After Hours, Martin Scorsese, USA 1985. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 121-128.
    • Binotto, Johannes (2013). Rück-Sicht auf Darstellbarkeit. Zur Ästhetik und Aussagekraft der Rear Projection. Filmbulletin: Zeitschrift für Film und Kino, (2.13):37-43.
    • Binotto, Johannes. Im Dickicht der Bilder. Waldrausch im Kino Xenix. In: NZZ, 48, 27 February 2013, p.19.
    • Binotto, Johannes (2013). Some Came Running (USA 1958). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 385-391.
    • Binotto, Johannes (2013). Leave her to heaven (USA 1945). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 285-291.
    • Binotto, Johannes (2013). Gold diggers of 1933. In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 121-127.
    • Binotto, Johannes (2013). Untiefen. Zu den unheimlichen Räumen Dario Argentos. In: Stiglegger, Marcus; Flintrop, Michael. Dario Argento: Anatomie der Angst. Berlin: Bertz + Fischer, 68-83.
    • Binotto, Johannes (2013). Verdammt sind sie alle – Some Came Running. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 385-391.
    • Binotto, Johannes (2013). Todsünde – Leave Her to Heaven. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.
    • Binotto, Johannes (2013). Goldgräber von 1933 - Gold Diggers of 1933. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.
    • Binotto, Johannes (2013). TAT/ORT. Das Unheimliche und sein Raum in der Kultur. Zürich, Berlin: Diaphanes.
    • Binotto, Johannes (2013). Bond Rerouted: 007 and the Internal Conflict in/of Digital Media. In: Ljungberg, Christina; Klarer, Mario. Cultures in Conflict / Conflicting Cultures. Tübingen: Narr Francke Attempto, 51-63.

  • Bissig, Florian

    • Bissig, Florian (2013). Review of James Grant. The Critical Imagination. Oxford: Oxford University Press, 2013. Variations: Literaturzeitschrift der Universität Zürich, 21:230-232.

  • Bolander, Brook

    • Bolander, Brook (2013). Language and Power in Blogs: Interaction, disagreements and agreements. Amsterdam: John Benjamins.

  • Bronfen, Elisabeth

    • Bronfen, Elisabeth (2013). Lubitschs Krieg. Die Komödie als politische Strategie in To Be or Not to Be. Neue Rundschau, 124(4):151-172.
    • Bronfen, Elisabeth (2013). Monumental Cleopatra: Hollywood’s epic film as historical re-imagination. Anglia, 131:218-235.
    • Bronfen, Elisabeth (2013). Auf der Suche nach Kleopatra: Das Nachleben einer kulturellen Ikone. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra: Die Ewige Diva. München: Hirmer, 8-21.
    • Bronfen, Elisabeth (2013). Remains of War: Battlefields, Ruins and the Trick of Commemoration. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: transcript, 161-175.

Pagination