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Collection, Recollection, and Romantic Reading
Doctoral Workshop with Prof. Deidre Lynch, April 19–20, 2012
Early
nineteenth-century literary culture in Britain depended to a remarkable
extent on practices of excerpting, clipping, and pasting, and
redrafting, recontextualizing, and recycling: practices that would now
seem alien to literate individuals’ standard definitions of the act of
reading, except that recently our interactions with the reading
materials of the Internet have made them newly familiar. This workshop
will consider some of the cultural frictions engendered by these
practices. It will consider anthologies, past and present (including
custom-made poetry scrapbooks from the early nineteenth century);
anxieties aroused by the practices of extracting on which anthologizing
depends (is the practice an act of devotion or fidelity, or does the
anthologist make something new in the act of detaching verse from its
originary context?); the Romantic lyric poem as souvenir, collectible,
and token of remembrance; the birth of the genre of the
biblio-autobiography (shaped by book-memories and only infrequently by
text-memories).
A detailed program is available at http://www.es.uzh.ch/teaching/PhD/phdlit.html.